Portal:Theatre

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Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Illustrated scene from The Relapse
The Relapse is a Restoration comedy from 1696 by John Vanbrugh, a sequel to Colley Cibber's notorious tear-jerker Love's Last Shift, or, Virtue Rewarded. In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. Vanbrugh planned The Relapse around particular actors at Drury Lane, writing their stage habits, public reputations, and personal relationships into the text. One such actor was Colley Cibber himself, who played the luxuriant fop Lord Foppington in both Love's Last Shift and The Relapse. However, Vanbrugh's artistic plans were threatened by a cut-throat struggle between London's two theatre companies, each of which was "seducing" actors from the other. The Relapse came close to not being produced at all, but the successful performance that was eventually achieved in November 1696 vindicated Vanbrugh's intentions, as well as saving the company from bankruptcy.

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Pinter in 2005
Harold Pinter (1930–2008) was a Nobel Prize-winning English playwright and screenwriter, with a career that spanned more than 50 years. His plays include The Birthday Party, The Homecoming and Betrayal, and his screenplays include The Servant, The French Lieutenant's Woman and Sleuth. Pinter appeared as an actor in productions of his own work on radio and film. He also undertook roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. He was born and raised in Hackney, east London, trained at the Royal Academy of Dramatic Art and the Central School of Speech and Drama, and worked in repertory theatre before achieving success as a writer. In his later years, he was known for his political activism and his opposition to the war in Afghanistan and the invasion of Iraq. Pinter's last stage performance was as Krapp in Beckett's play Krapp's Last Tape, for the Royal Court Theatre, in 2006.
  • ... that four years after Harry Frazee opened his Longacre Theatre, he sold his ownership stake in the theater to focus on baseball?
  • ... that theatre critic Günther Rühle's books cover the history of theatre in Germany, its events and its people, from 1887 to 1966?
  • ... that before being restored as a Broadway theater, the Ritz Theatre was used as a television studio, pornographic theater, vaudeville house, children's theater, and poster warehouse?
  • ... that many designers and directors avoided the Vivian Beaumont Theater because of its unconventional mixture of stage designs?
  • ... that Esther Merle Jackson, as a specialist in theatre and dance education at the United States Office of Education, intended to expand theater's role in the Great Society?
  • ... that Jochen Schmidt, a dance critic for the FAZ for 30 years, wrote a book about Pina Bausch and her Wuppertal dance theatre?

Selected quote

Peter Ustinov
By increasing the size of the keyhole, today's playwrights are in danger of doing away with the door.
Peter Ustinov, Christian Science Monitor, 1962

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