A Cuban sandwich (Spanish: Sándwich cubano) is a variation of a ham and cheese sandwich that likely originated in cafes catering to Cuban workers in Tampa or Key West, two early Cuban immigrant communities in Florida centered on the cigar industry. Later on, Cuban exiles and expatriates brought it to Miami, where it is also very popular. The sandwich is made with ham, (mojo) roasted pork, Swiss cheese, pickles, mustard, and sometimes salami on Cuban bread. Salami is included in Tampa, where there is a large Italian population, but is not usually included in South Florida.
The Cuban sandwich is at the center of a long-running friendly rivalry between Miami and Tampa. As part of that rivalry, the "Historic Tampa Cuban Sandwich" was designated the "signature sandwich of the city of Tampa" by the Tampa City Council in 2012. (Full article...)
Image 13Rebel leaders engaged in extensive propaganda to get the U.S. to intervene, as shown in this cartoon in an American magazine. Columbia (the American people) reaches out to help oppressed Cuba in 1897 while Uncle Sam (the U.S. government) is blind to the crisis and will not use its powerful guns to help. Judge magazine, 6 February 1897. (from History of Cuba)
Image 26A 1736 colonial map by Herman Moll of the West Indies and Mexico, together comprising "New Spain", with Cuba visible in the center. (from History of Cuba)
... that Rudi Kappel, co-founder of the first airline of Suriname, was arrested both on entering and leaving Santiago de Cuba?
... that after his movement's victory in the Cuban Revolution, television broadcasts showed Camilo Cienfuegos freeing parrots from birdcages, declaring that the birds had "a right to liberty"?
Tomás Gutiérrez Alea (Spanish pronunciation:[aˈlea]; December 11, 1928 – April 16, 1996) was a Cuban film director and screenwriter. Gutiérrez Alea wrote and directed more than twenty features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance between dedication to the revolution and criticism of the social, economic, and political conditions of the country.
Gutiérrez's work is representative of a cinematic movement occurring in the 1960s and 1970s known collectively as the New Latin American Cinema. This collective movement, also referred to by various writers by specific names such as "Third Cinema", "Cine Libre", and "Imperfect Cinema," was concerned largely with the problems of neocolonialism and cultural identity. The movement rejected both the commercial perfection of the Hollywood style, and the auteur-oriented European art cinema, for a cinema created as a tool for political and social change. Due in no small part to the filmmakers’ lack of resources, aesthetic was of secondary importance to cinema's social function. The movement's main goal was to create films in which the viewer became an active, self-aware participant in the discourse of the film. Viewers were presented with an analysis of a current problem within society that as of that time had no clear solution, hoping to make the audience aware of the problem and to leave the theater willing to become actors of social change. (Full article...)
...that the Guanajatabey were indigenous inhabitants of Cuba, that lived on the island since at least 1000 B.C.? And that they were forced to the western point of the island by the arrival of the Ciboney people?
I sympathise with the rebellion, but not with the rebels. It may be that as the pages of history are turned, brighter futures and better times will come to Cuba. It may be that future years will see the island as it would be now, had England never lost it – a Cuba free and prosperous under just laws and a patriotic administration, throwing her ports open to the world
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